Movies Released November 4, 2005

Next summer the sky really IS falling in Walt Disney Pictures' new computer-animated film "Chicken Little". This epic tale presents a new twist to the classic fable of a young chicken who causes widespread panic when he mistakes a falling acorn for a piece of the sky. In this hilarious adventure, Chicken Little is determined to revive his ruined reputation. But just as things are starting to go his way, a real piece of the sky lands on his head! Suspense, chaos, and plenty of laughs ensue as Chicken Little and his band of misfit friends, Abby Mallard (a.k.a. Ugly Duckling), Runt of the Litter and Fish Out of Water, attempt to save the world without sending the town into a whole new panic. This time, when it comes to saving the world, it helps to be a little chicken.

In the tradition of "National Lampoon's Animal House" and "National Lampoon's Van Wilder" comes this wildly hilarious comedy about a guy who wants to date a girl who wants to wait. Adam (Cameron Douglas) is a typical college-aged guy, which is to say he wants sex 24 hours a day. But when he meets, and falls for, Eve (Emmanuelle Chriqui) a scorchingly hot co-ed who's still very attached to her virginity, the waiting game is on! While his college buddies score right and left, and campus hotties make tempting passes, Adam ponders an explosive question: Will Eve say "it's the right time," before he goes completely out of his mind?

Flipping back and forth between the 18th Century and the hapless efforts of the 21st Century filmakers, "A Cock and Bull Story" is the making of a movie adapted from the notoriously unfilmable English literature masterpiece, "The Life and Opinions of Tristram Sahndy, Gentlemen," written by Laurence Sterne.

The story begins with Tristram Shandy (Steve Coogan) narrating his life story as he sees it. Crammed with literary jokes and dark humor, Shandy's warped childhood tales are constantly interrupted by his family and household, inadvertently revealing far more about himself than any conventional autobiography.

At the dramatic moment of Tristram's birth, the 1st Assistant Director calls cut, marking the end of a filming day on the set of Tristram Shandy. We then see Steve Coogan, the other actors and crew through the course of a chaotic evening on set. Steve Coogan's wife arrives with their six month old baby, a journalist is chasing him about a scandalous story, his agent has arrived with a load of Hollywood scripts and the film financiers are threatening to pull the plug.

"Jarhead" (the self-imposed moniker of the Marines) follows "Swoff" (Gyllenhaal), a third-generation enlistee, from a sobering stint in boot camp to active duty, sporting a sniper's rifle and a hundred-pound ruck on his back through Middle East deserts with no cover from intolerable heat or from Iraqi soldiers, always potentially just over the next horizon. Swoff and his fellow Marines sustain themselves with sardonic humanity and wicked comedy on blazing desert fields in a country they don't understand against an enemy they can't see for a cause they don't fully fathom.

Foxx portrays Sergeant Sykes, a Marine lifer who heads up Swofford's scout/sniper platoon, while Sarsgaard is Swoff's friend and mentor, Troy, a die-hard member of STA—their elite Marine Unit.

A musician who is supposed to mend his ways ends up changing the habits of a group of fellow inmates. Wesley Benfield is a guitar player with a habit of walking on the wrong side of the law. One night, Benfield gets into a fistfight in a Missouri honky-tonk, and when police discover the car he drove to the club is stolen, it's not long before he finds himself standing before a judge. Benfield is ordered to move into a half-way house near a small Baptist college, and as part of his therapy he joins in a small gospel combo made up of the house's residents. However, Benfield is a lot more interested in playing the blues. With a bit of persuading, he convinces his bandmates to pursue a new musical direction, and they start sneaking out at night to play shows at a local nightspot.

A melancholy, depressed and jaded television reporter assumes the identity of a dead man while at a hotel in a north African country, not knowing that the man was a renowned arms smuggler. The newsman sees this switch as a last desperate chance to escape his old life and start anew. However, as he begins to take on the characteristics of his new persona and understand his shady involvements, the decision becomes a risky one, which leads to an inevitable showdown.