Movies Released June 10, 2016

One of the most talented, influential, and iconoclastic filmmakers of all time, Brian De Palma’s career started in the 60s and has included such acclaimed and diverse films as Carrie, Dressed to Kill, Blow Out, Scarface, The Untouchables, Carlito’s Way, and Mission: Impossible. In this lively, illuminating and unexpectedly moving documentary, directors Noah Baumbach and Jake Paltrow engage in a personal and candid discussion with De Palma, exploring not only his life and work but also his singular approach to the craft of filmmaking and his remarkable experiences navigating the film business, from his early days as the bad boy of New Hollywood to his more recent years as a respected veteran of the field.

Tells the extraordinary story of an international musical collective created by legendary cellist Yo-Yo Ma. The film follows this group of diverse instrumentalists, vocalists, composers, arrangers, visual artists and storytellers as they explore the power of music to preserve tradition, shape cultural evolution and inspire hope.

Pop superstar Jordan Jaye (Matthew Espinosa) has a big dream — he just wants to live like a regular teenager. When he’s chased down by some excited female fans, he finds a perfect hideout and a reluctant new friend from a small town, high-school art student, Emily Lowe (Sarah Jeffery, Descendants). Despite being from different worlds, they soon discover they have way more in common than they ever imagined. Over the course of several days, the two embark on an unexpected journey of friendship, first love and self-discovery -- proving that maybe opposites really do attract.

Follows three generations of women in the final years of the People’s Republic of Bulgaria and the transition to democracy. The film focuses on reluctant mother Boryana and her daughter, Viktoria, who in one of the film’s surreal, magical touches is born without an umbilical cord. Though unwanted by her mother, Viktoria is named the country’s Baby of the Decade, and is showered with gifts and attention until the disintegration of the East Bloc. Despite throwing their worlds off balance, the resulting political changes also allow for the possibility of reconciliation.

Detectives Luis Lopez and Eddie Garcia are childhood best friends, brother-in-laws, and partners in the New York Police Department Luxury Goods Recovery Unit tasked with hunting down Canal Street's infamous bootleggers. With Luis as the slick, self-styled "brains" of the operation and Eddie as the shy, quiet "muscle," they've been running through the streets of the Lower East side in search of fake Louis Vuitton for 20 years - long enough for them to be the best in the business. While their work mostly keeps them below 14th Street, a random visit from a celebrated French designer and her business partner set in motion a sequence of events that take them on a wild goose chase through the streets of Paris - from fashion parties to hipster nightclubs - in search of a stolen handbag (and delicious French macarons).

As the investigation deepens with no sign of the bag, our two best friends start to grow suspicious of everyone around them - including each other.

Léa Sedoux follows in the footsteps of Paulette Goddard and Jeanne Moreau as Célestine, a resentful young Parisian chambermaid who finds herself exiled to a position in the provinces where she immediately chafes against the noxious iron rules and pettiness of her high-handed bourgeois mistress (Clotilde Mollet), must rebuff the groping advances of Monsieur (Hervé Pierre), and reckon with her fascination with the earthy, brooding gardener Joseph (Vincent Lindon). Backtracking past the fetishism of Buñuel’s version to Octave Mirbeau’s original 1900 novel, Benoît Jacquot has one eye on contemporary France: the sense of social stiflement, Célestine’s humiliating submission to Madame’s onerous terms of employment, Joseph’s virulent anti-Semitism. But the turn-of-the-century setting saw the rise of Freud ideas about the human unconscious and so Jacquot takes care to look past the characters’ outward behavior and appearance to the repression and compulsions that lie behind.