Movies Released July 20, 2018

A town is suddenly plunged into darkness. In the sky, a fleet of spaceships appears. The aliens have been watching Earth for centuries; now they have arrived to seize control of our planet. As alien storm troopers cut a deadly swath through the countryside, a ragtag group of townspeople realize they must band together for a chance to strike back at the invaders in this explosive sci-fi film that grips from start to thrilling finish.

Duck Duck Goose is a comedic story of the most unlikely family ever. After he's grounded by an injury, Peng (Gaffigan), a high-flying bachelor is saddled with two wide-eyed orphans as they come face-to-face with the dangers and beauty of the outside world in this funny and touching animated feature. Our free-wheeling hero rejects the community of his tight-knit flock of geese in an attempt to live life on his own terms. But after he narrowly rescues two young ducklings, Chi and Chao (Zendaya and Lim), from an eccentric but deadly cat named Banzou (Proops), the two latch onto the Goose like a parent; and with a paralyzing winter on the horizon and the departure of both their flocks, Peng agrees to look after the ducklings out of fear his injury might be discovered by Banzou, and other predators who would prey on a goose who cannot fly. The makeshift trio embarks on a beautiful and dangerous journey through mountains and lakes, bamboo forests, marble caves and deep river valleys to reach their respective flocks. Along the way, Peng must learn to care for the two ducklings despite his independent and care free attitude, all the while evading the hungry and relentless Pallas Cat, who'll stop at nothing to claim the ducklings he feels entitled to. Peng's biggest challenge is learning to shed his selfish ways and become the responsible "parent" no one ever thought he could be, including himself.

The people of Iorph live far away from the lands of men, weaving the happenings of each day into a fabric called Hibiol. They live for centuries while maintaining their youthful appearance. Maquia, an orphaned Iorph girl, lives her life in an oasis surrounded by friends, yet somehow feels “alone”. But the tranquil lives of the Iorph are shattered in an instant when the Mezarte army invades their territory on a dragon fleet, seeking the blood that grants the Iorph long life. Maquia manages to escape, but loses her friends and her home in the chaos. She then encounters an orphaned baby who is “alone”. Maquia raises this boy "Ariel", with the help of some new friends. But as the era changes, the bond between Maquia and Ariel changes too, amidst a backdrop of racial tensions between the Iorph and the Mezarte. This is a story of irreplaceable time, woven by two lonely people who can only find solace in each other.

Lauren Greenfield’s postcard from the edge of the American Empire captures a portrait of a materialistic, image-obsessed culture. Simultaneously photographic journey, memoir, and historical essay, the film bears witness to the global boom–bust economy, the corrupted American Dream and the human costs of late stage capitalism, narcissism and greed.