Browse Movies : Completed : Next 90 Days : Rating Not Available : Drama

Based on a true story, The American follows one of the select few Americans, Joy Womack (Talia Ryder), to be admitted into the prestigious, but punishing, Russian Bolshoi Ballet School, where she is tutored by the vaunted Tatiyana Volkova (Diane Kruger).

Zaffan is a rebellious and carefree young girl, until she begins to see horrifying physical changes in her body. When her friends find out, hysteria ensues - one by one teen girls drop to the floor in fits and rumors of a dark figure causing it quickly spread through their school. A medical officer arrives to drive out the demon and he suspects Zaffan may be the problem. He begins to perform an exorcism on her, until she reveals her true self, her wrath, rage and her beauty, to everyone.

An ambitious cheerleader (Devery Jacobs) faces both new adversity and the increased drive for perfection and triumph when she and her girlfriend are selected for an all-star cheer squad and its demanding head coach (Evan Rachel Wood). With a competition looming, Riley must navigate her drive with her crippling anxiety as one wrong move will bring her crashing to the ground.

In a remote furniture store, Mother stations herself on a green couch, refusing to get up, leaving her three estranged children -- David, Gruffudd, and Linda -- to figure out why. With the help of the store managers, David and his siblings embark on a mind-bending journey to reveal life-altering family truths.

In blood-soaked Tudor England, twice married, accomplished, and educated Katherine Parr (Vikander), reluctantly agrees to become the sixth wife of the tyrannical King Henry VIII (Law). Her consent to marry him carries great personal risk, given that her predecessors are either vanquished, beheaded, or dead. When Henry appoints her as Regent, the nation’s ruler during his absence when he departs to fight overseas, he lays a dangerous path for her. Henry’s courtiers, suspecting she’s sympathetic to radical Protestant beliefs that have taken root in the kingdom and are a threat to their power, scheme against her and cast doubts upon her fidelity to the increasingly ailing and paranoid King. Once Henry returns to England, his courtiers convince him to turn his fury on the nation’s radicals, including Katherine’s childhood friend Anne Askew, who becomes one of the scores of people convicted of treason and burned at the stake. Horrified and privately grieving, Katherine finds herself under ever-increasing scrutiny and suspicion. Knowing that even a whisper of scandal might lead to her downfall, Katherine must unleash her own scheme to fight for survival.

In her debut as a writer-director, actress Jennifer Esposito (Blue Bloods, Summer Of Sam, Crash) brings late 1980s Staten Island to vivid life through the lens of Rose Larusso (Emily Bader), an inquisitive young girl who discovers her father (Domenick Lombardozzi) is an emerging mafia kingpin. Rose’s growing desire to break free from the path set before her soon threatens her existence and alienates her from her closest allies: her mother Francine (Esposito), her sister Connie (Odessa A’zion), and her aunt Christine (Annabella Sciorra).

17-year-old Sam (Collias) embarks on a three-day backpacking trip in the Catskills with her dad, Chris (Le Gros) and his oldest friend, Matt (McCarthy). As the two men quickly settle into a gently quarrelsome brotherly dynamic, airing long-held grievances, Sam, wise beyond her years, attempts to mediate. But when lines are crossed and Sam’s trust is betrayed, tensions reach a fever pitch, as Sam struggles with her dad’s emotional limitations and experiences the universal moment when the parental bond is tested.

Based on the Icelandic best-selling novel by Ólafur Jóhann Ólafsson, Touch is a romantic and thrilling story that spans several decades and continents. Touch follows one widower’s emotional journey to find his first love who disappeared 50 years ago, before his time runs out.

Desperate to raise money for his daughter’s cancer treatment, a retired bull rider teams up with his estranged son and resorts to robbery to secure payment before time runs out. But after the heist goes awry, keeping the money—and their freedom—requires the duo to outwit a dogged pair of local law enforcement officers, including a justice-minded sheriff who soon suspects that the key to her case may lie uncomfortably close to home.

When melancholic construction worker Dan finds himself drifting from his wife and daughter, he discovers community and purpose in a local theater’s production of Romeo and Juliet. As the drama onstage starts to mirror his own life, he and his family are forced to confront a personal loss.

Amidst a period of unprecedented world events, an eighteen-year-old girl’s life is placed on hold. Isolated in her bedroom, she falls under the spell of the mysterious vlogger Patricia Coma. As time carries on, the lines between her dreams, fears, hopes, and reality begin to blur into one another.

A story of star-crossed lovers on the western U.S. frontier in the 1860s, The Dead Don’t Hurt centers on Vivienne Le Coudy (Krieps), a fiercely independent woman who embarks on a relationship with Danish immigrant Holgen Olsen (Mortensen).

Sophia, a brilliant scientist comes to know that a large shark is swimming deep in the river.

Follows DOG, who lives in Manhattan and one day, tired of being alone, decides to build himself a robot, a companion. Their friendship blossoms, until they become inseparable, to the rhythm of 80’s NYC. One summer night, DOG, with great sadness, is forced to abandon ROBOT at the beach. Will they ever meet again?

A Cable News program is born after the Election of Donald Trump. Influenced by past Civil Rights struggles, the Producers are guided by the mystic spirit of children.

Trans man Leo’s (Bobbi Salvör Menuez) life is a jumble of auditions, acting classes, barista jobs, and situationships, all of which he hopes will amount to more. Unexpectedly, Leo’s college best friend, cisgender and straight Eleanor (Marianne Rendón), calls Leo announcing that she’ll be driving through NYC, and offers to pick him up for an impromptu trip upstate. They embark on the weekend getaway, marking their first time spent together since Leo began transitioning. Reunited with new gender dynamics between them, and uncovering problems lurking behind Eleanor’s “well-meaning” façade, Leo and Eleanor navigate how their old feelings towards one another exist within this new context, forcing them both to confront buried secrets and emotions. A modern twist on the buddy comedy from a queer and trans perspective, Noah Schamus’ debut feature SUMMER SOLSTICE is a celebration of friendship, resilience, and coming of age again.

Lucy, a former child actress, seeks healing from the traumas of her life. She embarks on a spiritual retreat, only for it to become anything but healing: she’s easily annoyed by the other attendees and wants attention from the retreat’s new-age guru Elon Bello. Even worse, she has become destructively obsessed with the retreat’s celebrity guest, a model named Beverly. As Beverly finds “enlightenment” easily, Lucy’s feelings of insecurity continue to rise to the surface. During this time, Lucy also tries to connect with her stunt performer adult daughter, Dylan who’s currently on set in New Zealand. Dylan’s falling into an obsession of her own: a bad romance with the main actor Elmore, whose insistence on doing his own stunts will have disastrous consequences. Brutal incidents in both women’s worlds force them to back together to confront their personal demons and their own relationship.

In a small, sleepy village in the Basque Country, a sculptor named Ane and her three children arrive at her mother Lita’s home for summer vacation where they are surrounded by extended family and nosy neighbors. Ane and her mother’s relationship is strained — Lita disapproves of her daughter’s frayed marriage, career as an artist, and the way she parents her obstinate and mischievous children. Chief among them is eight-year-old Aitor, nicknamed Coco after it becomes clear that being referred to by the Aitor elicits feelings of distress in the child. Born biologically male, neither birth name nor the genderless nickname feel quite right, and Ane’s concern for her child grows as Coco becomes more withdrawn. The child’s only respite lies in the Basque hills, where Ane’s aunt Lourdes tends to the family’s beekeeping farm. Among the peaceful humming of bees and Lourdes' open-minded guardianship, Coco slowly begins to confide in family and friends her discomfort in her body, eventually voicing a desire to be treated as a girl. As Coco explores her own developing identity over the summer, Ane and the rest of her family in turn must learn to accept the child as she is.

Simon (Théodore Pellerin) is a rising star in Montreal's drag scene performing lively disco pop numbers weekly at his local club. Friendly with his fellow drag queens and supported by his sister, who delights in designing increasingly elaborate and beautiful costumes for his act, Simon vibrates with the passion of his adopted artistic community. When he meets Oliver (Félix Maritaud), the alluring new recruit at the club, their irresistible chemistry sparks an electric romance and a fulfilling creative collaboration. Their dynamic is mesmerizing and tender until Oliver’s dominant instincts and destructive behavior jeopardize Simon’s space in the spotlight. Simon has plenty of experience with tempestuous personalities – his mother, a bona fide opera diva, is back in his life after years on the road – but can he get out from under the shadow of their influence?

A newly reunited father and son grapple with new beginnings after tragedy, but can they manage to fill the void left by a beloved wife and mother?