Browse Movies : Completed : Universal Pictures : Horror

The film stars Wyatt Russell (The Falcon and the Winter Soldier) as Ray Waller, a former major league baseball player forced into early retirement by a degenerative illness, who moves into a new home with his concerned wife Eve (Oscar® nominee Kerry Condon, The Banshees of Inisherin), teenage daughter Izzy (Amélie Hoeferle, this fall’s The Hunger Games: The Ballad of Songbirds and Snakes) and young son Elliot (Gavin Warren, Fear the Walking Dead). Secretly hoping, against the odds, to return to pro ball, Ray persuades Eve that the new home’s shimmering backyard swimming pool will be fun for the kids and provide physical therapy for him. But a dark secret in the home’s past will unleash a malevolent force that will drag the family under, into the depths of inescapable terror.

Mike Schmidt (Josh Hutcherson), a troubled security guard, starts a night-time job at Freddy Fazbear's Pizza, a once-successful abandoned family entertainment center, where he discovers its four animatronic mascots — Freddy Fazbear, Bonnie the Bunny, Chica the Chicken, and Foxy the Pirate Fox — move and kill anyone that is still there after midnight.

Based on a single chilling chapter from Bram Stoker's novel Dracula, The Last Voyage of the Demeter tells the terrifying story of the merchant ship Demeter, which was chartered to carry special private cargo—fifty unmarked wooden crates—from Carpathia to London. Strange events befall the doomed crew as they attempt to survive the ocean voyage, stalked each night by a merciless presence onboard the ship. When the Demeter finally arrives off the shores of England, it is a charred, derelict wreck. There is no trace of the crew.

For as long as residents can remember, the housing projects of Chicago’s Cabrini-Green neighborhood were terrorized by a word-of-mouth ghost story about a supernatural killer with a hook for a hand, easily summoned by those daring to repeat his name five times into a mirror. In present day, a decade after the last of the Cabrini towers were torn down, visual artist Anthony McCoy and his partner, gallery director Brianna Cartwright , move into a luxury loft condo in Cabrini, now gentrified beyond recognition and inhabited by upwardly mobile millennials. With Anthony’s painting career on the brink of stalling, a chance encounter with a Cabrini-Green old-timer exposes Anthony to the tragically horrific nature of the true story behind Candyman. Anxious to maintain his status in the Chicago art world, Anthony begins to explore these macabre details in his studio as fresh grist for paintings, unknowingly opening a door to a complex past that unravels his own sanity and unleashes a terrifyingly viral wave of violence that puts him on a collision course with destiny.

When Gemma suddenly becomes the caretaker of her orphaned 8-year-old niece, Cady (Violet McGraw, The Haunting of Hill House), Gemma’s unsure and unprepared to be a parent. Under intense pressure at work, Gemma decides to pair her M3GAN prototype with Cady in an attempt to resolve both problems—a decision that will have unimaginable consequences.

Jamie Lee Curtis returns to her iconic role as Laurie Strode, who comes to her final confrontation with Michael Myers, the masked figure who has haunted her since she narrowly escaped his killing spree on Halloween night four decades ago.

Four years after the events of last year’s Halloween Kills, Laurie is living with her granddaughter Allyson (Andi Matichak) and is finishing writing her memoir. Michael Myers hasn’t been seen since. Laurie, after allowing the specter of Michael to determine and drive her reality for decades, has decided to liberate herself from fear and rage and embrace life. But when a young man, Corey Cunningham (Rohan Campbell; The Hardy Boys, Virgin River), is accused of killing a boy he was babysitting, it ignites a cascade of violence and terror that will force Laurie to finally confront the evil she can’t control, once and for all.

When her heart is stolen by a seductive stranger, a young woman is swept away to a house atop a mountain of blood-red clay: a place filled with secrets that will haunt her forever. Between desire and darkness, between mystery and madness, lies the truth behind Crimson Peak.

Follows a teenager (Newton) who, after swapping bodies with a deranged serial killer (Vaughn), discovers she has less than 24 hours before the change becomes permanent.

Daniel Kaluuya (Get Out, Judas and the Black Messiah), is joined by Keke Palmer (Hustlers, Alice) and Oscar nominee Steven Yeun (Minari, Okja) as residents in a lonely gulch of inland California who bear witness to an uncanny and chilling discovery.

The Visit focuses on a brother and sister who are sent to their grandparents’ remote Pennsylvania farm for a weeklong trip. Once the children discover that the elderly couple is involved in something deeply disturbing, they see their chances of getting back home are growing smaller every day.

While video chatting one night, six high school friends receive a Skype message from a classmate who killed herself exactly one year ago. At first they think it's a prank, but when the girl starts revealing the friends' darkest secrets, they realize they are dealing with something from beyong this world, something that wants them dead. Told entirely from a young girl's computer desktop, Cybernatural redefines "found footage" for a new generation of teens.

Guillermo del Toro presents MAMA, a supernatural thriller that tells the haunting tale of two little girls who disappeared into the woods the day that their parents were killed. When they are rescued years later and begin a new life, they find that someone or something still wants to come tuck them in at night. Five years ago, sisters Victoria and Lilly vanished from their suburban neighborhood without a trace. Since then, their Uncle Lucas (Nikolaj Coster-Waldau) and his girlfriend, Annabel (Jessica Chastain), have been madly searching for them. But when, incredibly, the kids are found alive in a decrepit cabin, the couple wonders if the girls are the only guests they have welcomed into their home. As Annabel tries to introduce the children to a normal life, she grows convinced of an evil presence in their house. Are the sisters experiencing traumatic stress, or is a ghost coming to visit them? How did the broken girls survive those years all alone? As she answers these disturbing questions, the new mother will find that the whispers she hears at bedtime are coming from the lips of a deadly presence.

Minutes after Laurie Strode (Curtis), her daughter Karen (Judy Greer) and granddaughter Allyson (Andi Matichak) left masked monster Michael Myers caged and burning in Laurie’s basement, Laurie is rushed to the hospital with life-threatening injuries, believing she finally killed her lifelong tormentor.

But when Michael manages to free himself from Laurie’s trap, his ritual bloodbath resumes. As Laurie fights her pain and prepares to defend herself against him, she inspires all of Haddonfield to rise up against their unstoppable monster.

The Strode women join a group of other survivors of Michael’s first rampage who decide to take matters into their own hands, forming a vigilante mob that sets out to hunt Michael down, once and for all.

Toby Burns (Logan Miller), a millennial coldly floating through life and disconnected from his family. After his father is tragically killed in a carjacking, Toby is left stricken with guilt. He is begrudgingly enrolled in a “Lost and Found” program, in which he will spend three days and three nights on a remote jungle island. Toby soon finds that this “uninhabited” island is not so lonely when he meets a mysterious girl named Madeleine (Kristine Froseth). It soon becomes clear that neither of them are safe here and time is running out. Someone or SOMETHING bloodthirsty lurks in the jungle, and Toby must find a way off this island before becoming its PREY...

In this modern horror-comedy, Nicholas Hoult stars as Renfield, the loyal but tortured aide to history’s most narcissistic boss, Dracula (Oscar® winner Nicolas Cage). Every day, Renfield is forced to procure his master’s human prey and do his bidding, no matter how embarrassing. But now, after centuries of servitude, Renfield has decided to find a life outside the shadow of The Prince of Darkness; if only he can figure out how to end his codependency.

Octavia Spencer stars as Sue Ann, a loner who keeps to herself in her quiet Ohio town. One day, she is asked by Maggie, a new teenager in town (Diana Silvers), to buy some booze for her and her friends, and Sue Ann sees the chance to make some unsuspecting, if younger, friends of her own.

She offers the kids the chance to avoid drinking and driving by hanging out in the basement of her home. But there are some house rules: One of the kids has to stay sober. Don’t curse. Never go upstairs. And call her “Ma.”

But as Ma’s hospitality starts to curdle into obsession, what began as a teenage dream turns into a terrorizing nightmare, and Ma’s place goes from the best place in town to the worst place on earth.

Finney Shaw, a shy but clever 13-year-old boy, is abducted by a sadistic killer and trapped in a soundproof basement where screaming is of little use. When a disconnected phone on the wall begins to ring, Finney discovers that he can hear the voices of the killer’s previous victims. And they are dead set on making sure that what happened to them doesn’t happen to Finney.

Successful publisher Will Atenton (Daniel Craig) quit a job in New York City to relocate his wife, Libby (Rachel Weisz), and two girls to a quaint New England town. But as they settle into their new life, they discover their perfect home was the murder scene of a mother and her children. And the entire city believes it was at the hands of the husband who survived.

When Will investigates the tragedy, his only lead comes from Ann Paterson (Naomi Watts), a neighbor who was close to the family that died. As Will and Ann piece together the disturbing puzzle, they discover that the story of the last man to leave Will’s dream house will be just as horrifying to the one who came next.