Browse Movies : Drama : B (Page #4)

After his mother (Juliette Lewis) goes to jail for shooting and killing his abusive father, Harley Altmyer (Alex Pettyfer) is left to care for his three younger sisters in a rural Pennsylvania town. The uneducated Harley works two dead-end jobs to preserve what’s left of his family, including the rebellious, sexual 16-year-old Amber (Nicola Peltz). Angered and traumatized by his painful past, Harley finally begins to feel hope when he connects with an older, married woman (Jennifer Morrison), and they embark on an affair. When shocking family secrets emerge, Harley’s life begins to spiral downward.

Determined to get engaged before her youngest sister's wedding, flight attendant Montana Moore (Paula Patton) finds herself with only 30 days to find Mr. Right. Using her airline connections to "accidentally" meet up with eligible ex-boyfriends and scour for potential candidates, she racks up more than 30,000 miles and countless comedic encounters, all the while searching for the perfect guy.

The "black sheep" son (Scott Speedman) of a wealthy family meets a free-spirited, but sheltered woman (Evan Rachel Wood). To convince his family that he's finally straightened out his life, he takes her home for his brother's wedding where an improbable romance blooms, as she impresses everyone with her genuine, simple charms.

The electrifying 1973 tennis match between World number one Billie Jean King (Emma Stone) and ex-champ and serial hustler Bobby Riggs (Steve Carell) was billed as the Battle of the Sexes and became the most watched televised sports event of all time. The match caught the zeitgeist and sparked a global conversation on gender equality, spurring on the feminist movement. Trapped in the media glare, King and Riggs were on opposites sides of a binary argument, but off-court each was fighting more personal and complex battles. With a supportive husband urging her to fight the Establishment for equal pay, the fiercely private King was also struggling to come to terms with her own sexuality, while Riggs gambled his legacy and reputation in a bid to relive the glories of his past. Together, Billie and Bobby served up a cultural spectacle that resonated far beyond the tennis courts and animated the discussions between men and women in bedrooms and boardrooms around the world.

Based on true events, Tracey Deer's debut feature chronicles the 78-day standoff between two Mohawk communities and government forces in 1990 in Quebec.

After finding out she is a Princess in an African nation, high school senior Noble travels to her home country on the continent to discover her roots—and to determine if royal is something she really wants to be.

A cantor (Jason Schwartzman) in a crisis of faith finds his world turned upside down when his grade school music teacher (Carol Kane) re-enters his life as his new adult Bat Mitzvah student.

Two brothers -- dirt-poor sons of Jewish immigrants battling anti-Semitism -- go on to become the owners of an international health and fitness empire. The Weider family business grows to include a supplements line, fitness magazines, and the Mr. Olympia, Ms. Olympia, and Masters Olympia bodybuilding contests.

There was a time when Lazarus (Samuel L. Jackson) played the blues; a time he got Bojo's Juke Joint shakin' back in the day. Now he lives them. Bitter and broken from a cheating wife and a shattered marriage, Lazarus' soul is lost in spent dreams and betrayal's contempt…Until Rae (Christina Ricci).

Half naked and beaten unconscious, Rae is left for dead on the side of the road when Lazarus discovers her. The God-fearing, middle-aged black man quickly learns that the young white woman he's nursing back to health is none other than the town tramp from the small Tennessee town where they live. Worse, she has a peculiar anxiety disorder. He realizes when the fever hits, Rae's affliction has more to do with love lost than any found. Abused as a child and abandoned by her mother, Rae is used by just about every man in the phone book. She tethers her only hope to Ronnie (Justin Timberlake), but escape to a better life is short-lived when Ronnie ships off for boot camp. Desperation kicks in, as a drug-induced Rae reverts to surviving the only way she knows how, by giving any man what he wants to get what she needs…Until Lazarus.

Refusing to know her in the biblical sense, Lazarus decides to cure Rae of her wicked ways – and vent some unresolved male vengeance of his own. He chains her to his radiator, justifying his unorthodox methods with quoted scripture. Preacher R.L. (John Cothran) intervenes, but it is Lazarus and Rae who redeem themselves. Unleashing Rae emotionally, Lazarus unchains his heart, finding love again in Angela (S. Epatha Merkerson). By saving Rae, he frees himself.

Thirty years after the events of the first film, a new blade runner, LAPD Officer K (Ryan Gosling), unearths a long-buried secret that has the potential to plunge what’s left of society into chaos. K’s discovery leads him on a quest to find Rick Deckard (Harrison Ford), a former LAPD blade runner who has been missing for 30 years.

It’s the start of a new year at a small suburban high school. Abigail (Quinn Shephard) is an outcast who seeks solace in the worlds of the characters she reads about, much to the amusement of her manipulative classmate, Melissa (Nadia Alexander). When an intriguing new drama teacher (Chris Messina) casts Abigail over Melissa in Arthur Miller’s The Crucible, Abigail’s confidence blooms, and soon her relationship with Jeremy begins to move beyond just fantasy. Melissa, fueled by vengeful jealousy, begins to spiral out of control and concocts a plot against Abigail. This triggers a chain of events that will come to affect everyone around them, as well as reveal some dark truths.

A hitman is asked to kill by his boss the man’s wife. Trouble is, the hitman falls in love with her and things get messy from there.

A 15-year old, Adèle (Adèle Exarchopoulos) has no doubt: a girl must date boys. Her life is turned upside down when she meets Emma (Léa Seydoux), a blue haired young woman, who allows her to discover desire and to assert herself as a woman and an adult.

Sara (Juliette Binoche) and Jean (Vincent Lindon) have been in a loving and stable relationship for ten years. When they first met, Sara was in a relationship with François (Grégoire Collin), Jean’s best friend. One day, Sara sees François on the street. He does not see her, but she is overwhelmed by a sensation that her life could suddenly change. François does indeed get in touch with Jean to suggest that they work together again. Before long, things are in danger of spiraling out of control.

Based on the award winning novel of the same name by Jonathan Trigell, Jack (Andrew Garfield) is released from prison at the age of 24, having been institutionalized for most of his life after he and another boy murdered a child, when they were themselves children. The film follows Jack's difficult attempts to readjust to the world outside of confinement and restart a life which never really got going. Under the fatherly mentor- ship of Terry (Peter Mullan) his parole contact and social worker, he experiences a coming of age, which would normally have happened years ago. But forces from the past are constantly upon him, as we learn more about the events leading up to the crime which has ruined so many lives, there is an increasing sense of suspense, intrigue and ultimately doom: the tabloid press and Terry's real son are not going to let things lie.

When Marine Veteran Brian Brown-Easley is denied support from Veterans Affairs, financially desperate and running out of options, he takes a bank and several of its employees hostage, setting the stage for a tense confrontation with the police. Based on the true story.

Armed with a Winchester rifle, two Morrocan boys set out to look after their family's herd of goats. In the silent echoes of the desert, they decide to test the rifle… but the bullet goes farther than they thought it would.

In an instant, the lives of four separate groups of strangers on three different continents collide. Caught up in the rising tide of an accident that escalates beyond anyone's control are a vacationing American couple (Brad Pitt, Cate Blanchett), a rebellious deaf Japanese teenager and her father, and a Mexican nanny who, without permission, takes two American children across the border. None of these strangers will ever meet; in spite of the sudden, unlikely connection between them, they will all remain isolated due to their own inability to communicate meaningfully with anyone around them.

Disney Channel superstars Vanessa Anne Hudgens ("High School Musical 1 & 2," "High School Musical 3") and Alyson Michalka ("Phil of the Future," pop duo Aly and AJ) join Gaelan Connell ("Chocolat"), Scott Porter ("Speed Racer") and Lisa Kudrow ("Friends") in the music-driven comedy "Bandslam." When gifted singer-songwriter Charlotte Banks (Michalka) asks new kid in town Will Burton (Connell) to manage her fledgling rock band, she appears to have just one goal in mind: go head-to-head against her egotistical musician ex-boyfriend, Ben (Porter), at the biggest event of the year, a battle of the bands.

Against all odds, their band develops a sound all its own with a real shot at success in the contest. Meanwhile, romance brews between Will and Sam (Hudgens), who plays a mean guitar and has a voice to die for. When disaster strikes, it's time for the band to make a choice: Do they admit defeat, or face the music and stand up for what they believe in?

A young woman traveling to Detroit for a job interview books a rental home. But when she arrives late at night, she discovers that the house is double booked, and a strange man is already staying there. Against her better judgement, she decides to spend the evening, but soon discovers that there’s a lot more to fear than just an unexpected house guest.

A young British woman named Sinaloa comes to Texas to find Merle, her half-sister by way of their dead country musician father. It doesn’t take long for Sinaloa to charm her way into Merle’s life. Her singing awakens something in Merle and erases any lingering doubts about their shared bloodline. But an all-too-familiar chaos comes with it, which soon starts to unravel Merle’s stable world—her job, her upcoming marriage, and an already tense relationship with her mother, Patricia. And while the family music legacy brought this stranger to town, darker motives are woven into the songs she sings, showing glimpses of a violent rage that’s been building for years.