Browse Movies : 2004 : Thriller

Intricately stepping back and forth in time and revealing the story from each character's perspective, "Wicker Park" is an intense psychological drama about a man (Josh Hartnett) caught in an obsessive search for a woman he fell deeply in love with - a woman who then vanished without a trace. Two years after her disappearance, he catches a fleeting glimpse of her in a local bar and begins a twisting search to find her and discover what really happened.

Mort Rainey (Johnny Depp), a successful writer trying to cope with a divorce, is staying in his rural home, when a stranger turns up on his doorstep and accuses him of plagiarism.

Shaun's life is stuck in a rut. He's a twenty nine year old who lives with his two best friends Ed and Pete. Shaun's girlfriend Liz is sick of the same old, boring nights down their local pub. So when Shaun (Simon Pegg) breaks his promise to organize a special anniversary meal for them both, Liz (Kate Ashfield) decides to break it off with him. Drowning his sorrows the following day, Shaun devises a plan to win Liz back, but today, all is not as it seems... Unfortunately for Shaun 'the dead' have risen in London and soon a full Zombie apocalypse has exploded onto the streets. Determined to save his girlfriend and salvage their relationship, Shaun and his pals let nothing stand in their way as they go forth on a zombie killing spree to save the day!

In "Twisted", a police detective named Jessica Shepard (Ashley Judd) tracks a serial killer who murders the men she dates. When Jessica begins blacking out before each murder takes place, her partner, Mike Delmarco (Andy Garcia), and the police commissioner (Samuel L. Jackson) target her as the prime suspect.

Max "The King of Alibis" Burdett and his beautiful accomplice Lola have come to Paradise Island in the Bahamas, fresh off their final big score in which they lifted the second of the three famous Napoleon diamonds. With their financial future set, the couple is ready to relax and enjoy their hard-earned riches. But Stan, the FBI agent who has spent years in dogged but failed pursuit of Max, refuses to believe that his nemesis is actually calling it quits. He thinks that Max and Lola are actually plotting to steal the third Napoleon diamond--one of the three largest non-flawed diamonds in the world--which is coincidentally scheduled to arrive on Paradise Island as part of a touring cruise ship exhibition. Since he has no jurisdiction in the Caribbean country, Stan teams with a local cop and sets out to catch the sly Max and Lola in the act, while at the same time a local gangster has his own plans for the diamond. When the longtime adversaries meet up in paradise, Max quickly turns the tables and befriends the frustrated detective, showing him that Paradise Island has no shortage of pleasures to offer. But in order for Stan to figure out exactly what Max and Lola are up to, he will have to navigate all the twists and double-crosses of an action-packed story of friendship, suspicion and thievery.

At night and on weekends, four men in a suburban garage have built a cottage industry of error-checking devices. But, they know that there is something more. There is some idea, some mechanism, some accidental side effect that is standing between them and a pure leap of innovation. And so, through trial and error they are building the device that is missing most. However, two of these men find the device and immediately realize that it is too valuable to market. The limit of their trust in each other is strained when they are faced with the question, If you always want what you can't have, what do you want when you can have anything?

A gripping psychological thriller with Hitchcockian twists. Waking from a coma after a car crash, Ben (Colin Firth) learns that his wife, Elisa (Naomie Harris), was killed in the accident, and his world collapses. He attempts to rebuild his life by getting a new job and a new apartment, but his mind starts playing tricks on him. He begins seeing his dead wife everywhere. His attractive neighbor, Charlotte (Mena Suvari), takes him to see a psychic (Brenda Fricker), who tells him that she senses his wife might still be alive. Meanwhile, someone is moving things around in his apartment and destroying cherished possessions. Then the police pay him a visit: he's being investigated for murder.

Will Smith stars in this action thriller inspired by the classic short story collection by Isaac Asimov and brought to the big screen by director Alex Proyas ("Dark City", "The Crow"). In the year 2035, robots are an everyday household item and everyone trusts them, except one slightly paranoid detective (Will Smith) investigating what he alone believes is a crime perpetrated by a robot. The case leads him to discover a far more frightening threat to the human race.

The paparazzi are the chroniclers of Hollywood glitz and glamour, and key players in the public's insatiable appetite for information and photos about their favorite stars. They are as much part of gala premiers as bright lights and red carpets. Their photos can make or break careers. For rising action star Bo Laramie, a quartet of paparazzi is at first an annoyance, then an ever-disturbing presence. One night they trap Bo and his family into a high speed chase that ends in a terrible accident, sending his wife Abby into intensive care and son Zach into a coma. Veteran Los Angeles detective Burton believes Bo's version of the accident, but when Burton can't make the case against the photographers, Bo seeks vengeance on his own. And the paparazzi start falling one by one.

A top FBI profiler, Special Agent Illeana Scott (Angelina Jolie) doesn't rely on traditional crime-solving techniques to unravel the mysteries of a murderous mind. Her intuitive, unconventional approach often makes the crucial difference between catching a killer and sending a dead-end case to the cold file. When Montreal detectives handling a local homicide investigation reluctantly ask for an outsider's help to get inside the head of a cunning serial killer, Agent Scott joins the case. With meticulous insight, she theorizes that the chameleon-like killer is "life-jacking" – assuming the lives and identities of his victims. As the pressure mounts to catch the elusive murderer, Agent Scott's unorthodox methods alienate her from a territorial police team that feels threatened by her uncanny abilities. Her seemingly cold demeanor belies an unparalleled passion for her work, and she's at her best when she's working alone. But when an unexpected attraction sparks a complicated romantic entanglement, the consummate specialist begins to doubt her finely-honed instincts. Alone in an unfamiliar city with no one she can trust, Agent Scott suddenly finds herself on a twisted and terrifying journey, surrounded by suspects in a case that has become chillingly personal.

After being found in an intimate, sexual encounter with another young man, Perry is thrown out of his house by his family and forced to survive on his own. As he struggles to hold on by working in a homeless shelter and trying to maintain a college scholarship, he is haunted by his homosexuality and becomes increasingly withdrawn due to his family's rejection of him and their condemnation of his desires. As his friend Marcus is performing his new poetry for him, an elderly man, Bruce, appears seemingly out of nowhere and begins reciting verse to them. He disappears just as quickly and elusively as he arrived, before they get a chance to talk to him. In his library research for a class project, Perry finds a book about the Harlem Renaissance and recognizes a poem ("Smoke, Lilies and Jade" by Bruce Nugent) as the same one that the elderly man was reciting. They encounter each other again at the homeless shelter where Perry works. He confronts Bruce about who he is and begins to ask him about the Harlem Renaissance. They go on a literal and metaphorical journey to the house that was known as "Niggeratti Manor" which was the creative center for the younger, rebellious generation of the Harlem Renaissance as they created their revolutionary literary journal, "Fire!". Although the house is now dilapidated, we are transported through the landscape of Bruce's memories of the glory days of the Harlem Renaissance. Perry learns about the lives and personalities of Wallace Thurman, Langston Hughes, Zora Neale Hurston and Aaron Douglas and sees how they became a surrogate family for Bruce. Perry begins to recognize this era as his history. He sees the pride that Bruce exuded in those times in terms of being Black, gay and unashamed. His pride and self-esteem begin to have an empowering effect on Perry as he gains a stronger sense of his identity. As the story progresses, we witness the transformative power that they have on each other's lives through their shared passion for art and storytelling.

Three weeks ago, just before the lunar eclipse, American teenager Regina and her family moved into a charming old house in the remote Spanish countryside. Since then, nothing has been the same. Day by day, a strange force seems to be pulling the family apart and Regina is the only one brave enough to search for answers. However, she is about to discover the answers to all her questions lie deep within the walls of their new home: something has been waiting here for her family's arrival; something ancient and wicked; something looking for retribution; a force as bottomless and hungry as the dark itself. Now, darkness is closing in on Regina's family, and she's their only chance for survival.

A young photographer (David Wissack) from Los Angeles takes his girlfriend (Katerina Golubeva) with him while looking for locations in the Joshua Tree National Park in Southern California for a photography shoot, where they find their lives changed by something horrible that happens in the desert...

Inspired by a Korean legend, this is the odyssey of two sisters, who after spending time in a mental institution, return to the home of their father and cruel stepmother. Their recovery is affected by their stepmother's increasing cruelty, together with appearances of the ghost of their mother, which creates an atmosphere of strange occurrences and irrespirable fear.

John C. Reilly ("Chicago"), Diego Luna ("Y Tu Mama Tambien") and Maggie Gyllenhaal ("Secretary") star in a contemporary caper movie set in Los Angeles. It's the story of an extremely odd couple: a young Latino man who will do anything for his family (Luna) and a 30-something scheming white guy who will do anything to his family (Reilly). One wants to save his father. The other wants to get rich, in any way possible. So when they come across one of the most valuable pieces of currency in U.S. history, they're suddenly stuck together, and that's just . . . criminal. All they have to do is sell it, which is where the real problems begin. And of course the only way out is family: the one person who can help them, hates them: the schemer's sister (Gyllenhaal).

When his wife is killed by a maniac, a man (Jim Caviezel) sets out on the road in his 1970s Plymouth Hemi-head Barracuda muscle car to find the man responsible, a serial killer who hunts down and kills women using his massive green 1972 Cadillac Eldorado, as a way of expressing his rage about his place in the world, specifically at the woman who broke his heart once upon a time.

Set in the world of high-stakes poker hustlers, this is the story of three conmen/hustlers (Gabriel Byrne, Stuart Townsend, Thandie Newton) looking for that one big take that they can all retire on. After they actually do pull a huge sting off with the help of someone called "The Dean" (Sylvester Stallone), they find themselves chased by a ripped-off gangster looking for revenge...

When Dallas FBI Agent Thomas Mackelway violates serial killer Raymond Starkey's civil rights during an unorthodox arrest, Starkey goes free and Mackelway is demoted to a remote branch of the agency in Albuquerque. His first day on the job, Mackelway investigates the murder of a traveling salesman Harold Speck, which turns out to be the first of three seemingly random killings. Or perhaps they are not random at all; the last to die is Mackelway's nemesis, Raymond Starkey. The assignment consumes him. His past mistakes haunt him. His head throbs constantly as he tries to find the link between the victims that will lead him to their killer. The case becomes increasingly gruesome and patently personal. This does not go unnoticed by his unflappable partner Fran Kulok, who knows of Mackelway's past and the demons that afflict him. Like Mackelway, she becomes drawn into the labyrinth of chilling clues, all of which point to the enigmatic Benjamin O'Ryan. O'Ryan clearly has a connection to the murders, a connection he flaunts; quite possibly, he may also harbor a sinister link to Mackelway.

Struggling with the psychological effects of his repressed childhood memories, a young man (Ashton Kutcher) devises a technique of traveling back in time to inhabit his childhood body. As he attempts to mend the broken lives of those closest to him, he finds that every trip into the past brings chaotic results into the present, leading him to travel back again and again and causing irreparable damage.

A high-concept big-budget movie from director Roland Emmerich ("Independence Day"), it's about a climatological disaster that ravages the world beyond recognition. As millions of terrified survivors flee south, Professor Adrian Hall (Dennis Quaid), a brilliant paleoclimatologist, heads to New York City — now a frozen wasteland — in search of his son Sam (Jake Gyllenhaal), who may still be alive.