Browse Movies : 2004 : Rating Not Available

Havana: November, 1958. 18-year-old Katey Miller (Romola Garai) brings an innate curiosity and a smattering of Spanish to her new life in Cuba's lush capital, where her father has taken an executive posting at Ford. Bookish and awkward, Katey is expected to join the smart set of American teenagers who are the Millers' neighbors at the exclusive Oceana Hotel. But Katey finds herself drawn instead to the proud, purposeful Javier (Diego Luna), a waiter who also happens to be brilliant dancer. Determined to learn the slinky, spectacular moves that Javier seems to know in his bones, Katey persuades him to partner with her in a prestigious national dance competition at Havana's glittering nightclub/casino, The Palace. Soon, the straight-A student is deceiving her parents, stealing away both day and night to discover a different part of Cuba with Javier. They meet at the steamy nightclub La Rosa Negra, where only the locals go and where the dancing is hotter than the temperature outside. Some days, they practice on the sand of an out-of-the way beach, aligning their bodies in a sensual harmony that mirrors the growing passion between them. As the night of the contest finally arrives, Katey and Javier are ready to take their place as a couple on the dance floor - unaware that the country club, and the streets of Havana itself, are about to erupt in revolutionary violence.

After being found in an intimate, sexual encounter with another young man, Perry is thrown out of his house by his family and forced to survive on his own. As he struggles to hold on by working in a homeless shelter and trying to maintain a college scholarship, he is haunted by his homosexuality and becomes increasingly withdrawn due to his family's rejection of him and their condemnation of his desires. As his friend Marcus is performing his new poetry for him, an elderly man, Bruce, appears seemingly out of nowhere and begins reciting verse to them. He disappears just as quickly and elusively as he arrived, before they get a chance to talk to him. In his library research for a class project, Perry finds a book about the Harlem Renaissance and recognizes a poem ("Smoke, Lilies and Jade" by Bruce Nugent) as the same one that the elderly man was reciting. They encounter each other again at the homeless shelter where Perry works. He confronts Bruce about who he is and begins to ask him about the Harlem Renaissance. They go on a literal and metaphorical journey to the house that was known as "Niggeratti Manor" which was the creative center for the younger, rebellious generation of the Harlem Renaissance as they created their revolutionary literary journal, "Fire!". Although the house is now dilapidated, we are transported through the landscape of Bruce's memories of the glory days of the Harlem Renaissance. Perry learns about the lives and personalities of Wallace Thurman, Langston Hughes, Zora Neale Hurston and Aaron Douglas and sees how they became a surrogate family for Bruce. Perry begins to recognize this era as his history. He sees the pride that Bruce exuded in those times in terms of being Black, gay and unashamed. His pride and self-esteem begin to have an empowering effect on Perry as he gains a stronger sense of his identity. As the story progresses, we witness the transformative power that they have on each other's lives through their shared passion for art and storytelling.

A gripping psychological thriller with Hitchcockian twists. Waking from a coma after a car crash, Ben (Colin Firth) learns that his wife, Elisa (Naomie Harris), was killed in the accident, and his world collapses. He attempts to rebuild his life by getting a new job and a new apartment, but his mind starts playing tricks on him. He begins seeing his dead wife everywhere. His attractive neighbor, Charlotte (Mena Suvari), takes him to see a psychic (Brenda Fricker), who tells him that she senses his wife might still be alive. Meanwhile, someone is moving things around in his apartment and destroying cherished possessions. Then the police pay him a visit: he's being investigated for murder.

When the owner of a Baltimore working class convenience store, Sylvia Stickles (Tracey Ullman), suffers a concussion, the injury causes a drastic change in her sexual drive, turning her into a sex addict with crazy, wild and urgent desires and compulsions, much to the joy and then frustration of her husband (Chris Isaak) who has trouble keeping up with her, as her new personality threatens to tear apart the remnants of what wasn't an entirely perfect family to begin with.

Follows the competitive world of street dancing where crews battle for money and respect. Elgin (Marques Houston, IMX) and David (Omarion, B2K) are best friends and leaders of the best dance crew in the area. When another group challenges them to a battle, David and Elgin -- along with their buddies (Raz B, J Boog and Lil' Fizz of B2K) must create and perfect the most cutting edge moves to remain on top. The stakes are raised as friends double-cross each other and true motives are revealed. When the biggest battle comes to town, David and Elgin must work past their differences to prove that they are the best crew on the streets.

Based on the novel by Anne Tyler, "A Slipping Down Life" is the story of the peculiar courtship of an awkward young woman and a charismatic singer/songwriter, and the profound effect that their unlikely relationship has on eachother's lives and futures. Evie Decker (Lili Taylor) is a painfully timid young woman whose monotonous life consists of living with her reclusive widower father (Tom Bower) and working a dead-end job dressed in a rabbit costume at a rundown amusement park. Evie's quiet existence is shattered when she hears a late-night radio interview with struggling musician Drumstrings Casey (Guy Pearce). Evie is fascinated with his seductive voice and sultry lyrics and convinces her best friend Violet (Sara Rue) to go with her to the local roadhouse to see him perform. Seeing him in person, Evie becomes even more mesmerized by the handsome and brooding musicians. During one of Drum's shows, Evie's growing infatuation blends with obsession when she becomes so entranced by his singing that she actually cuts his name into her forehead with a piece of glass. Instead of regretting her action, she considers this her first step towards taking more control of her life. The stunt brings her to Drum's attention and he and his manager David Elliot (John Hawkes) decide to use her as a marketing gimmick at future shows. Evie's total faith in Drum's talent inspires and intrigues him while her role as his "muse" imparts Evie with uncharacteristic self-assurance. The physical attraction between Evie and Drum increases as their emotional need for one another becomes more and more apparent. The inspiration they find together to break out from the confines of low expectations and the ordinariness of small town life begins to conflict with the pursuit of their individual dreams. Together or apart they must decide which path will lead to the fulfillment of their newfound strength.

In June 1940, as politicians, journalists, society figures, demi-mondaines and spies from all sides all meet up at the Hotel Splendide in Bordeaux, a young man has to choose between a famous actress and an impassioned student, between politicians and hoodlums, between insouciance and adulthood.

A persistent cell phone ring connects four crisscrossing stories of Indian Americans in this light-hearted movie set in the post Information Technology boom: two long-distance buddies who share every waking thought; two parents who delight in arguing with each other and are getting to know their future daughter-in-law Jenni, and their son who is juggling all of them; jobless roommates who can't fathom their friend's obsession for a girl back in India; and a newlywed, forced-to-stay-at-home girl who creates a fascinating world for herself within her home. Everything is conneted in this warm, quirky comedy that says the world is really, really small.

Kat, a brand new journalism grad, has landed her first big job. It's in Hawaii and she couldn't be more excited. All it requires is an upbeat personality, good instincts and a lot of perseverance. But Kat is finding the work harder than she ever imagined. For one thing, her prey - an elusive big wave surfer named "The Monk" – doesn't intend to be found, and the friendly locals are being somewhat less than helpful. Her uninvited boyfriend is driving her crazy, her ex-surfer guide has been on the losing end of too many waves, the geek she's reporting to is falling in love with her, and she's wanted by the FBI. What's a girl to do? Kat realizes too late that finding "The Monk" will cost her more than she could ever afford. But can she foresee that she'll wind up finding herself?

In 1974, the New York City music scene was shocked into consciousness by the violently new and raw sound of a band of misfits from Queens, called The Ramones. Playing in a seedy Bowery bar to a small group of fellow struggling musicians, the band struck a chord of disharmony that rocked the foundation of the mid-'70s music scene. This quartet of unlikely rock stars traveled across the country and around the world connecting with the disenfranchised everywhere, while sparking a movement that would resonate with two generations of outcasts across the globe. Although the band never reached the top of the Billboard charts, it managed to endure by maintaining a rigorous touring schedule for 22 years.

Why are Americans so fat? Find out in "Super Size Me", a tongue in-cheek—and burger in hand—look at the legal, financial and physical costs of America's hunger for fast food. Ominously, 37% of American children and adolescents are carrying too much fat and 2 out of every three adults are overweight or obese. Is it our fault for lacking self-control, or are the fast-food corporations to blame? Filmmaker Morgan Spurlock hit the road and interviewed experts in 20 U.S. cities, including Houston, the "Fattest City" in America. From Surgeon Generals to gym teachers, cooks to kids, lawmakers to legislators, these authorities shared their research, opinions and "gut feelings" on our ever-expanding girth. During the journey, Spurlock also put his own body on the line, living on nothing but McDonald's for an entire month with three simple rules: 1) No options: he could only eat what was available over the counter (water included!); 2) No supersizing unless offered; 3) No excuses: he had to eat every item on the menu at least once. It all adds up to a fat food bill, harrowing visits to the doctor, and compelling viewing for anyone who's ever wondered if man could live on fast food alone. The film explores the horror of school lunch programs, declining health and physical education classes, food addictions and the extreme measures people take to lose weight and regain their health. "Super Size Me" is a satirical jab in the stomach, overstuffed with fat and facts about the billion-dollar industry besieged by doctors, lawyers and nutritionists alike. "Would you like fries with that?" will never sound the same!

Centers on a woman who travels with her lover to the jungle and discovers trouble in the form of murder and greed.

"The Missing" is the story of Maggie Gilkeson (Cate Blanchett), a young woman raising her two daughters in an isolated and lawless wilderness. When her oldest daughter (Evan Rachel Wood) is kidnapped by a psychopathic killer with mystical powers (Eric Schweig), Maggie is forced to re-unite with her long estranged father (Tommy Lee Jones) to rescue her. The killer and his brutal cult of desperados have kidnapped several other teenage girls, leaving a trail of death and horror across the desolate landscape of the American Southwest. Maggie and her father are in a race against time to catch up with the renegades and save her daughter, before they cross the Mexican border and disappear forever.

In 1992, Nick Broomfield made his first documentary about serial killer Aileen Wuornos, and this follow-up comes a year after Wuornos' execution for killing six men during her years as a Florida prostitute. Wuornos gave Broomfield the last interview of her life, and this film includes scenes of Broomfield testifying about his experiences with her.

Jim Jarmusch's ensemble comedy is a series of vignettes, all revolving around discussions held over coffee and cigarettes. Starring a diverse cast, including Bill Murray, Steve Buscemi, Tom Waits, Cate Blanchett, and others, the film has been in production since the 1980s and is in black and white. Topics of conversation include Nicola Tesla, alternative medicine, Paris, the movie industry, and more.

John C. Reilly ("Chicago"), Diego Luna ("Y Tu Mama Tambien") and Maggie Gyllenhaal ("Secretary") star in a contemporary caper movie set in Los Angeles. It's the story of an extremely odd couple: a young Latino man who will do anything for his family (Luna) and a 30-something scheming white guy who will do anything to his family (Reilly). One wants to save his father. The other wants to get rich, in any way possible. So when they come across one of the most valuable pieces of currency in U.S. history, they're suddenly stuck together, and that's just . . . criminal. All they have to do is sell it, which is where the real problems begin. And of course the only way out is family: the one person who can help them, hates them: the schemer's sister (Gyllenhaal).

"De-lovely" is an original musical portrait of American composer Cole Porter, filled with his unforgettable songs. In the film, Porter is looking back on his life as if it was one of his spectacular stage shows, with the people and events of his life becoming the actors and action onstage. Through elaborate production numbers and legendary hits like "Anything Goes," "It's De-lovely," and "Night and Day," Porter's elegant, excessive past comes to light - including his deeply complicated relationship with his wife and muse, Linda Lee Porter. Directed by Academy Award-winner Irwin Winkler from a script by Jay Cocks and starring Oscar-winner Kevin Kline, Ashley Judd, and Jonathan Pryce in addition to some of today's biggest rock and pop music stars, "De-lovely" is a sparkling celebration of Porter's music as well as a stirring exploration of the artist's journey and the undying power of love.

Based on a concept the director and Abbas Kiarostami developed on a photography trip together, a man and a young woman (Leila Hatami of Leila) are stranded in a remote village after their car breaks down. The photographer and the sole adult male inhabitant, a schoolteacher, leave to get help while the young woman, herself childless, bonds with the children whose parents are nowhere to be found.

Tracks the tumultuous rise of two talented musicians, Anton Newcombe, leader of the Brian Jonestown Massacre, and Courtney Taylor, leader of the Dandy Warhols, and dissects their star-crossed friendship and bitter rivalry. Both are hell-bent on staging a self-proclaimed revolution of the music industry. Through their loves and obsessions, gigs and recordings, arrests and death threats, uppers and downers, and ultimately to their chance at a piece of the profit-driven music business. How each handles his stab at "success" is where the relationship frays and burns.

In the summer of 1970, a chartered train crossed Canada carrying some of the world's greatest rock bands. The Grateful Dead, Janis Joplin, The Band, Buddy Guy, and others lived together for five days, stopping in major cities along the way to play live concerts. Their journey was filmed.